Bhool Chuk Maaf 2025 Movie

The film Bhool Chuk Maaf Movie In Hindi belongs to the Comedy, and Drama subgenres. Karan Sharma directed the film, Haider Rizvi, Karan Sharma wrote the script. Maddock Films presents the film, which was produced by Dinesh Vijan. On 23 May 2025, Bhool Chuk Maaf 2025 Movie was released to Theater, and its runtime was 2 hour and 20 minutes.

Bhool Chuk Maaf 2025 Movie Overview

Movie Name	Bhool Chuk Maaf 2025 Movie
Original Language	Hindi
Spoken Language	Hindi
Release Date	23 May 2025
Runtime	2 hour and 20 minutes
Country	India
Genres	Comedy Drama
Writer	Haider Rizvi, Karan Sharma
Director	Karan Sharma
Producer	Dinesh Vijan
Editor	Manish Pradhan
Cinematography	Sudeep Chatterjee
Screenplay	–
Production Co.	Maddock Films

Bhool Chuk Maaf 2025 Movie Story

Set against the vibrant backdrop of Varanasi, the film follows Ranjan (Rajkummar Rao), a small-town romantic who secures a government job to marry his love, Titli (Wamiqa Gabbi). However, just before their wedding, fate intervenes, and he finds himself trapped in a time loop, reliving the same day repeatedly.

The supporting cast includes Seema Pahwa, Sanjay Mishra, Zakir Hussain, and Raghubir Yadav, who add depth and humor to the narrative. The film’s music, composed by Tanishk Bagchi with lyrics by Irshad Kamil, features tracks like “Koi Naa” and a recreated version of “Chor Bazaari Phir Se,” blending nostalgic tunes with contemporary sounds.

Bhool Chuk Maaf 2025 Movie Screenshot

Bhool Chuk Maaf 2025 Movie Star Cast

Actor	Role
Rajkummar Rao	Ranjan (Male Lead)
Wamiqa Gabbi	Titli (Female Lead)
Seema Pahwa	Supporting Role
Sanjay Mishra	Supporting Role
Zakir Hussain	Supporting Role
Raghubir Yadav	Supporting Role

Bhool Chuk Maaf 2025 Movie Trailer

Bhool Chuk Maaf 2025 Movie Rating

Source	Rating
The Times of India	3.0/5
Filmfare	4.0/5
Koimoi	3.0/5
India Today	2.0/5

Bhool Chuk Maaf 2025 Movie Review

Bhool Chuk Maaf doesn’t just wander aimlessly in terms of location — it’s all over the place thematically too. The film is crammed with ideas, characters, subplots, and half-baked themes that seem to be jostling for space. It quickly becomes apparent that director Karan Sharma struggled to even stretch the film to its 121-minute runtime. The songs, far from offering relief, only add to the chaos, each one worse than the last. Meanwhile, the central couple — Ranjan Tiwari (Rajkummar Rao) and Titli Mishra (Wamiqa Gabbi) — appear to exist in completely different emotional and narrative zones.

At its core, the story follows the unemployed Ranjan and the pampered Titli, who are eager to tie the knot. But Titli’s father (played by Zakir Hussain) sets a condition: Ranjan must secure a government job within two months. At first, the film seems to take a promising route, hinting at the frustrating wait for public sector jobs in a country where recruitment is often hijacked by politics or scams. But instead of exploring that deeply, the plot veers off into the realm of jugaad (quick-fix solutions), and from there, it gets messier.

The film touches on serious issues like dowry, but does so with a light, almost flippant tone — using them more for laughs than for commentary. As a viewer, you’re left scratching your head, especially as Titli — who has both beauty and financial stability — continues to pine for Ranjan, a man who, as she herself admits, offers very little in return.

There could have been a compelling story here — a free-spirited woman challenging the norms of a man raised in a more conservative environment, with his enterprising mother running a pickle business to support the family. Just as the film hints at delving into something deeper, it suddenly takes a wild, overly ambitious turn. It stumbles through various tonal shifts — swerving from slapstick to sentimental, from satire to sincerity — all while you wish it would just pick a lane and stay there.

In a surprising twist, the film even attempts to find a moral compass and touches — albeit briefly — on themes of communal harmony. But it’s all so scattered that nothing really lands. Sharma, who also co-wrote the film, seems to be trying to say a lot but ends up saying very little.

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